Field trip
Last Wednesday a group of us set out for the island of Staffa, home of puffins and the muse for Mendelssohn's Hebridean Overture. Our boat made straight for the island, and as I was in the stern, I didn't get a good look at it until we were almost upon it, and the boat turned to make its approach to the landing:
My first impression was that a multi-mouthed sea monster has reared up from the waves to swallow us. This was reinforced when we got a chance to explore Fingal's Cave. The sound of the seawater filling and then receding from the cave, plus the splendid isolation of the island is what Mendelssohn tried to capture in his Overture. Looking up, the algae covered roof of the cave looked liked the monster's poorly capped molars:
The rock formations on Staffa are extraordinary. Some of us commented that they looked like someone had poured concrete into hexagonally-shaped cylinders and stacked them on top of each other. A strange image came to mind--God has created this island as an eight-year-old kid at the beach might make a sand castle by filling his bucket with wet sand and dumping the formed contents upside-down:
Wikipedia states, "It consists of a basement of tuff, underneath colonnades of a black fine-grained Tertiary basalt, overlying which is a third layer of basaltic lava lacking a crystalline structure. By contrast, slow cooling of the second layer of basalt resulted in an extraordinary pattern of predominantly hexagonal columns which form the faces and walls of the principal caves.[1]The lava contracted towards each of a series of equally spaced centres as it cooled and solidified into prismatic columns. The columns typically have three to eight sides, six being most common. The columns are also divided horizontally by cross joints.[7] Similar formations are found at the Giant's Causeway In Ireland, on the island of Ulvaand Ardmeanach on the Isle of Mull.[6] "
While I was taking in the view below, the person next to me commented that she just didn't understand how people could witness such beauty and not believe in God:
I replied that that the difference between believers and non-believers might be that while the latter would certainly feel awe in the face of such beauty, the former would feel awe and gratitude. I can't help but think that it must be something of an impoverished existence to be stunned by the sight of the seas pounding on the rocks and yet have no one to thank or glorify for it.
On my last overseas trip, to Israel, we had the chance to view another jaw-dropping geologic formation, the Machtesh Ramon in the Negev Desert. At the visitor center on the lip of the crater we watched a movie about the formation of this vast hole in the ground. It stated that if you compressed the history of the universe into a year, then human beings and our hominid ancestors have only been around since December 30.
If there is no God, then that's a lot of beautiful sunsets, lovely flowers and awesome geology that no one has taken aesthetic delight in until just now. That doesn't seem right to me. If there isn't a God who's been saying, "Good, good, very good" for all this time, well then, there ought to be.
That's not a very good argument for the existence of God. Heck, it's not an argument at all. It's more a sentiment. But it's what I came away from Staffa with. That, plus a close encounter with a puffin:








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